Welcome to the last Author Toolbox post of 2019!

Previously I’ve written about writer’s block, and how free-writing to random prompts can help break it. But where do you find these mysterious prompts? This month I’ll share my favourite writing prompt resources. For anyone doing Nanowrimo, they may help if you get stuck!

1) Random Word Generators:

Does what it says on the tin. There are websites, like Random Word.com, which provide a random new word with each refresh.

Like ‘illuminism’: belief in an inward spiritual light!

There’s a definition below the word too: Not only is it a great way to get writing prompts, it also helps you learn new words!

2) Story Cubes:

Story cubes are great fun. Each dice has 6 pictures on it, and there are 9 dice in a set. Roll all 9, and pick 3 dice for the beginning of your story, 3…

While researching Silk and the Sword: the Women of the Norman Conquest I came across some incredibly interesting characters. One of the most misunderstood women of the 11th century has to be Lady Godiva. Although she would have been known as Godgifu in her lifetime, we shall call her Godiva, the name we have all grown up with, and to distinguish her from several notable ladies of a similar name in this period. Known for her legendary naked ride through Coventry in order to ease the tax burdens of its citizens, finding the true story of Lady Godiva was a fascinating experience. She was the grandmother of three of the leading English characters of the Norman Conquest; Harold II’s queen, Ealdgyth and the earls of Mercia and Northumberland, Edwin and Morcar.

The origins of Lady Godiva herself, are shrouded in mystery and the distance of time. We know nothing of…

THE FOLLOWING CONVERSATION, WHICH IS BASED ON A REAL EMAIL EXCHANGE WITH MY AGENT, HAS BEEN SET IN A 1920’S HARD-BOILED DETECTIVE NOVEL FOR DRAMATIC PURPOSES.

So I pick up the telephone and wouldn’tcha know—it’s my agent. “Too many characters in your manuscript,” she says to me.

So I says to my agent, I says, “Well, golly. What do I do?”

“Kill two of ’em. Kill two of ’em dead.”

Course, I know my agent isn’t suggesting I put a hit out on my characters, but—ha!—wouldn’t it be a laugh if she was. “Suppose we edit out this one dame,” I says to her (I didn’t much like that character anyway), “but instead of killing this other fella, suppose we de-emphasize him. I can cut back his description, and hey, I can un-name him, too. That way, the amount of words devoted to him is more proportional-like, as far as…